Confident in a clutch of new songs that were identifiably Bradford by blueprint, they contacted their former producer, and it was game on.Īs Stephen put it, “When I brought the original Foundation Label to an end in the ‘90s and Bradford disbanded, I often wondered what happened to the guys in the band, particularly Ian and Ewan, who I regarded as the mainstays. But then came the rise of the all-covering avalanche that became known as ‘Madchester’, Bradford’s brand of sharp English pop no longer the order of the day, the band without a label by 1991, ‘adrift again’ and soon going their separate ways.īack they came in 2018 though, Thirty Years Of Shouting Quietly seeing the debut album lovingly remastered and re-released in a 30-song collection on Turntable Friend Records, re-appraised as a ‘lost English classic’, setting the cogs in motion for Ian and Ewan to record again, finding the original magic alive and well.
Those factors should have been enough for commercial success. That first LP wasrecorded over ‘three intense weeks of creative endeavour’, released in March 1990 to critical acclaim, international tours and shows following with Joe Strummer, The Sugarcubes and Morrissey himself, the former Smiths frontman covering their debut 45 ‘Skin Storm’ at the height of his fame. It was Stephen, off the back of a successful collaboration with newly-solo Morrissey, who signed the band to his fledgling Foundation label back then, praise following for their ‘intelligent and distinctive, finely crafted pop songs,’ as Sounds put it in May 1988. And while their adventures in rock’n’roll were somewhat short-lived, they’re back now, carrying on where they left off 29 years after splitting, new single ‘Like Water’ the first release from the Bright Hours album, due to land early next year.īradford’s 21 st century re-imagining involves just two of the five-piece behind that debut LP, but Ian Hodgson (vocals) and Ewan Butler (guitar) are now joined by Stephen Street, the London producer responsible for Shouting Quietly as well as key Smiths, Blur, Cranberries, Morrissey, New Order, Babyshambles and Kaiser Chiefs LPs.
What’s more, local press did something of a hatchet job after the band spoke in less than glossy terms about their down at heel hometown, at a time when Thatcherism had taken its toll on the area.īut you only have to go back and listen to debut LP, Shouting Quietly, to remind yourself what great songs they wrote. An indie outfit from Blackburn called Bradford, who at the time the North West of England showed the way with the late ‘80s Madchester scene, didn’t quite fit the baggy bill with their skinhead image.
They were always something of a conundrum to me. Clash Roots: Stephen Street, Ian Hodgson and Ewan Butler, under the Westway, London (Photo: Fernando Martins)
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